Puede Ser
The plan was simple: take a combi out to the slum of Villa Salvador, pick up a giant bamboo pencil, convince a taxi driver to let us strap a four meter bamboo pencil to the top of his car, and get back to Miraflores. The pencil had been commissioned by the NGO we've been working with to advertise a big campaign for free education for all Peruvian children and all morning we'd been hearing reports from volunteers saying that our pencil had been sitting, unloved, on the street waiting for someone to go get it. Jeff and I had our plan, so we hit the road...after Jeff had a slice of cake.Leaving the cafe, we picked up a combi right on Av. Angamos, a major east-west thoroughfare about two blocks from our apartment. Combis, I should mention, are not taxis nor any other form of transportation found in America. They are small vans with set routes along the major streets but no set stops. You wave them down like a taxi, and drivers will careen towards you with frightening skill. Working with the driver is another man, sort of like a conductor, who yells out the route, looks for passengers, handles the money, etc. There are thousands of combis in Lima, and every major corner is overrun with calls of "Bajo aca! Dale! Dale! Dale!" I'm amazed at the combis efficiency; hardly thirty seconds goes by without one driving by and you can get almost anywhere in the city for S/1, or about $.30.
After about forty minutes, we arrive in Villa Salvador, a hard town sprawling from organized Lima out to the nuevo invasion, the shantytowns at the very outskirts. Our combi had decided to take a slightly different route than usual, winding down side streets past schools and churches and the flecking paint of election murals, until it became abundantly clear we were nowhere near the pencil. Jeff and I exited at a corner that, visually, could have been any corner in the entire city. Villa Salvador's major streets, hugely wide semi-paved boulevards, all look exactly alike. The real problem with disorientation comes, I believe, from Lima's weather. The light in Lima comes as an ethereal glow in the sky, a muted desert sun trickling through a near-constant layer of clouds. Because nothing casts a shadow, orienting yourself relative to a cardinal direction is nearly impossible during the day. After a short debate, Jeff and I hopped in a three-wheeled mototaxi "El Gato II" and sped south.
Within five minutes, the mototaxi pulled to an abrupt stop - in the middle of the street - to tell us his machine could not take us where we wanted to go. Apparently, after realizing how far we needed to go, he simply gave up and directed us to the nearest combi.
Most combis are fairly quiet, but this particular one had a sense of style. There I was, trying to see if we were heading the correct way, an old Incan woman staring me down across the car, as the combi flew through the slums to an unbelievably loud and tinny "True" by Spandau Ballet.
Finally, after twenty minutes of "El mejor de los 80s," we turn the corner to see our giant pencil sitting on the roadside, a true thing of beauty. Another twenty minutes later, I'm stuffed in the back of a taxi with the pencil as we blast down the Via Expressa back to Miraflores. As proof of their urban conditions, no Limenos so much as raise an eyebrow at a Jew, a Korean, and a giant paper-and-bamboo pencil on the highway.
Our mission complete, we celebrate over a home-cooked Indian dinner. Delicious!

